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While there may appear to be nothing, the world actually has some things that can help you defeat the Colossi.

There are 16 Colossi and each Colossus has a unique look and requires a different strategy to defeat.This has lead to a great number of theories as to what some of these landmarks are meant to be. The Forbidden Lands is filled with immense and beautiful landscapes that feels both calming and mysterious since there are many landmarks that aren't explained at any point.This effectively makes him (and by extension, the player) the final boss as punishment for what they've done. Instead, there is one more sequence where the player takes control of a shadowy giant being attacked by bowmen, who are helpless before your attacks until Emon puts a stop to it, leading to one final moment of helplessness where in order to end the game, Wander has to die. To drive the point home, the game doesn't automatically end when Malus, the de-facto final boss, is defeated. The game goes out of its way to make you feel bad for killing them, especially given that you do it for a cause you know nothing about. The Colossi are not monsters or insane villains they're just animals who operate on territorial instincts, with Phalanx in particular not even bothering to attack you at all, and none of them would be dangerous if they were just left alone. One of the most important artistic points of the game is that it deconstructs the concept of a Boss Battle.If Wander can defeat sixteen gargantuan beasts knows as the Colossus, Dormin promises to revive Mono, though Wander will have to pay a heavy price. Wander, a young man takes a deceased girl named Mono to a forbidden land and makes a pact with a powerful entity known as Dormin, who according to legend, has the power to awaken the dead.